italian#Testo sostitutivo

Cultural

"If the world had to be catalogued by type, Venice would surely have a separate category". This is how a Nobel prize winner Joseph Brodsky synthetically defines the city in the famous book "Watermark". Nietzsche said that if he'd had to think of a synonym for music, he would have said Venice. Anyhow, it is impossible to be indifferent towards a city that in such violent way assails the senses and which concentrates the religious, artistic and cultural history of Europe in few square miles of water and stone. So, how to tackle these imposing incitements?
If you follow tourist guides, you risk to become dizzy from a detailed engraving, such is the beauty of its points of interest. But what counts is the unitary vision and overall effect of this extraordinary number of details. In fact, the most spectacular way to arrive to Venice is by plane: before landing it is actually impossible not to admire the image of a city in the shape of a fish that floats on the variegated and moving expanse of the lagoon and gets squeezed in by a fishing line of the Bridge of Liberty which links Venice to the mainland.

Let's imagine to be a bird, a seagull that twirls in the basin of San Marco. Well then, we'd live an experience of such richness of art and sculptural decorations, absolutely unique in the world: the domes of the churches and Palladian eardrums of San Giorgio, le Zitelle, il Redentore, baroque volutes of La Salute, the golden sphere of La Dogana, the angel of the Bell Tower, the marching audience with its winged symbols, then there is also the impressive set of the Doge's Palace, the fine order of columns of the Basilica and the last superb director's shot of the golden quadriga of the church façade.

All in all, Venice is a summa of all the Italian and European art and it's surely the most sculpted city in the world. And still, it's all there in a street, within eyesight in a plastic continuum made of statues, ornaments, bas-relieves, friezes, pateras, marble icons, spires and transennas which invade every part of the city, palaces, churches, lanes, squares, well curbs...

So, here are the suggested itineraries which form an outline of the city's arts, an overall vision and a selection of original and particular aspects, a synthetic way to go back over artistic styles using angel's wings, the evolution of architecture and sculpture through centuries, the itineraries for one Venice as seen by writers or to be seen as it had been portrayed in cinema and literature. In short, one Venice which you won't find in conventional guides, for example, following a route of Tintoretto's Last suppers in some city churches or going on a trip around cloisters, in immaculate and cool silence of sacred places, little hit by masses of tourists who crowd the city all year around.

Going around cloisters in Venice

A cloister… an image of young friars meditating or leafing through a Bible for hours before dawn. A sensation is a surge of peace and serenity. Venice: a city of canals, bridges, churches and monasteries where we’ll go to wander around, in an itinerary back in time, through cloisters of convents of Santa Maria Gloriosa dei Frari, Sant'Apollonia, San Francesco della Vigna and San Giorgio on Island.

Colours in the paintings

Visual itinerary through the places of colour in the paintings from Veneto and its cultural manifestations, highlighting the key points of correlations between landscape, colour and sensuality, indicating the concepts and prevailing constants of techniques and styles that had influenced European art.

Paintings by Tintoretto through his famous "last suppers"

A dynamic approach to get to know the art and style of Tintoretto could be the one of following the artist through his sumptuously laid tables and “Last Suppers” during an itinerary in the city that the painter would have definitely approved of, having himself been one of the greatest men of Mannerisms that interpreted through situations of great dynamism and movement.

Itinerario nell’arte contemporanea

di Vega Partesotti

La storia fa sentire il suo peso a Venezia, una città talmente ricca di tesori artistici e architettonici del passato che non sembra prestarsi troppo a offrire anche spazi all’arte contemporanea. Eppure fu proprio qui che nel 1895 ebbe luogo la prima “Esposizione internazionale d’arte della città di Venezia”, in seguito diventata Biennale di Venezia.

Venice through cinema places

by Roberta Nalesso | editor MV

For its incomparable beauty and natural sceneries that it offers, Venice has always constituted a sough after and privileged scenography for cinematographers from all over the world that have celebrated it in all seasons and through films of different genres and insights, amongst common postcard places and romantic decadence of psychodrama…

Venice through literature

Venice has often been an object of tension and a never placated desire by writers and literary men searching continuously, as well as a source of inspiration through imagination with plurality and richness of meanings.

Eugenio Da Venezia ed i luoghi dei pittori Post Impressioni lagunari

di Alain Chivilò e Roberta Nalesso
Questo itinerario prende spunto dai luoghi dove Eugenio Da Venezia e il gruppo dei "pittori di palazzo Carminati", esponenti del movimento post-impressionista veneziano del Novecento, trascorrevano giornate intere a dipingere circondati dalla splendida natura dei paesaggi lagunari.